All POTTER, Paulus 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Paintings (From A to Z)       Details 
19922 A Farm  A Farm   1649 Oil on panel The Hermitage, St. Petersburg.
28394 A Farm  A Farm   mk60 1649 Oil on panel 32x45 1/2'
45902 A geschecktes horse  A geschecktes horse   mk178 1653 oils on linen 60.5x41cm
43175 A Landscape with Cows,sheep and horses by a Barn  A Landscape with Cows,sheep and horses by a Barn   mk170 1651 Oil on
74302 bull  bull   Date 1647 Medium Oil on canvas Dimensions 235.5 X 339 cm (92.72 X 133.46 in) cyf
8587 Cows in a Meadow af  Cows in a Meadow af   Oil on canvas Rijksmuseum, Amsterdam
8588 Diederik Tulp af  Diederik Tulp af   1653 Oil on canvas Collection Six, Amsterdam
30938 Four Bull  Four Bull   mk68 1649
30579 Four Bulls  Four Bulls   mk68 Oil on wood Turin,Sabauda Gallery 1649 Netherlands
8589 Four Bulls qgq  Four Bulls qgq   Oil on wood, 57,5 x 67,5 cm Galleria Sabauda, Turin
81155 Hirtenjunge und Hirtenmadchen  Hirtenjunge und Hirtenmadchen   1650(1650) Medium Oil on panel Dimensions 39 x 59,8 cm cyf
8591 Horses in a Field zg  Horses in a Field zg   Oil on canvas Rijksmuseum, Amsterdam
8594 Landscape with Shepherdess and Shepherd Playing Flute af  Landscape with Shepherdess and Shepherd Playing Flute af   1642-44 Oil on wood, 67 x 114,5 cm Museum of Fine Arts, Budapest
8595 Landscape with Shepherdess Shepherd Playing Flute (detail) ad  Landscape with Shepherdess Shepherd Playing Flute (detail) ad   1642-44 Oil on wood Museum of Fine Arts, Budapest
33725 Peasant Family with Animals  Peasant Family with Animals   mk86 c1646 Oil on panel 37.1x29.5cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
21792 Peasant Family with Animals (mk08)  Peasant Family with Animals (mk08)   1646 Oil on panel 37.1x29.5cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
8592 Peasant Family with Animals F  Peasant Family with Animals F   1646 Oil on wood, 37,1 x 29,5 cm Alte Pinakothek, Munich
8593 Resting Herd a  Resting Herd a   1652 Oil on oak, 35,5 x 46,5 cm Gemäldegalerie, Dresden
19921 The Bull  The Bull   1649 Gemäldegalerie, Berlin.
56077 the bull  the bull   1647,oil on canvas,92.75x113.375 in,235.5x339 cm,mauritshuis,the hague,netherlands
41044 The Farm  The Farm   mk159 1649 Oil on panel 81x115.5cm
8597 The Farm af  The Farm af   1649 Oil on panel, 81 x 116 cm The Hermitage, St. Petersburg
19924 The Piebald Horse  The Piebald Horse   1650-54 Oil on canvas J. Paul Getty Museum, Los Angeles.
8596 The Spotted Horse af  The Spotted Horse af   Oil on wood, 30 x 41 cm Mus??e du Louvre, Paris
40474 Three Cows in a Pasture  Three Cows in a Pasture   mk156 1648 Oil on canvs 23.2x29.5cm
19920 Two Cows a Young Bull beside a Fence in a Meadow  Two Cows a Young Bull beside a Fence in a Meadow   1647 Oil on panel Art Institute of Chicago
20604 Two Drafthorses in Front of a Cottage (mk05)  Two Drafthorses in Front of a Cottage (mk05)   1649 Wood 9 1/2 x 10 1/4''(24 x 26 cm)Seized in the Revolution INV
19923 Watchdog  Watchdog   Oil on canvas The Hermitage, St. Petersburg.
28350 Watchdog  Watchdog   mk60 Oil on canvas 38x52"
31371 Young Bull  Young Bull   nn07 1647 Oil on canvas, 236 x 339 cm Mauritshuis, The Hague
40475 Young Bull  Young Bull   mk156 1647 Oil on canvas 236x339cm
8598 Young Bull zg  Young Bull zg   1647 Oil on canvas, 236 x 339 cm Mauritshuis, The Hague

POTTER, Paulus
Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,

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